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Thursday, June 7, 2018

Dean DeBlois talks about the third film


Ok, so I am just lifting this info straight from the Grapevine. I haven't been able to really make any commentary on it, but I wanted to post it here all the same! Really exciting stuff! He's such a fantastic director... I'm really hoping this last film will be utterly amazing! So, if you want to read Dean discussing his film, click the "read more"



Dean DeBlois on The Hidden World 

"It was very deliberate that each installment of Hiccup’s growth features a rite of passage. The first movie was about learning to accept yourself, in spite of your weaknesses. The second movie was about the transition of youthful abandon to adulthood. The third movie focuses on — it’s about finding the courage to let go. That in itself is a universal rite of passage. Whether they are faced with letting go of insecurities, or those who follow their destiny." 

"The movie promises future developments for Hiccup and Astrid but to say anymore would be a spoiler. The HiccStrid fans will be happy." 

"The best part about working in animation is that it’s ever-evolving. I was trained in classical hand drawn animation, and it continues to be an education with every film. Our technology improves every year. We get to test it and explore and push the boundaries. It’s gotten to the point where if you can dream it, you can make it. That’s pretty exciting." 

"The Light Fury is a species name given to her by Hiccup and Astrid. We deliberately didn’t give her a personal name, because we wanted to keep her wild. She isn’t a Night Fury, she’s a variation of the species with her own traits and abilities. Unlike Toothless, she is not the last of her kind." 

"The hidden world is a combination of fantasy elements grounded in real world physics. It features fungi and bioluminescence and coral, to give it an otherworldly feel. And yet, the idea was to create a believable world that could exist beneath our own. As with everything in the How To Train Your Dragon universe, we rely on credible earthly physics and elements, without ever going to something magical." 

"The intention was to make Grimmel dimensional and interesting. He’s not only cunning, he can be charming and witty. He’s also very accomplished and confident in his ability. For this film, we wanted an intelligent nemesis for Hiccup. And, F. Murray Abraham is incredible in the role." 

"I’m always a little disappointed when someone says, ‘I didn’t cry when I watched your film.’" 

"I’m happy to report that Randy Thom and Roger Deakins are working away on the film as we speak. It is such an honor to have these powerhouses onboard as part of our team. It’s like a masterclass anytime we get to spend time with them." 

"I guess my philosophy is that all storytelling should touch you emotionally — no matter how whimsical or absurd the premise. My priority when working on a story is to find some genuine emotional and often disarming moment that will make the whole thing have a greater value, than it may seem to have at face value. Channeling experiences from your own life is one of the best ways to accomplish that. So as it has often been said, ‘Write from the heart.’" 

"Since the beginning we’ve tried to incorporate ‘dialogue’ for Toothless and the other dragons, so that the animators could interpret the intent behind the grunts, gurgles, and roars. It has also been helpful to Randy Thom, our sound designer, in the crafting of those sounds." 

"I took inspiration from Cressida Cowell when she visited our production team on the first film. She told me at the time that she was working on the last book of her series. One that would explain what happened to dragons and why they are no more. And though our narratives differ, the ambition to close this chapter and resolve that question remain a driving force in developing the trilogy." 

"Valka has now become a part of the Berk community. Training Hiccup, Astrid, and the rest of gang to become capable dragon rescuers. Cate Blanchett has reprised her role, and as always, has done a wonderful job bringing the character to life." 


"The greatest challenge of the third film was to explain why dragons have left us in a way that won’t completely bum out the audience. There are films like E.T. that have successfully handled this delicate story challenge and they’ve gone on to become indelible parts of our culture. We hope that this third film will rise to that challenge and leave the audience feeling moved and satisfied." 

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